Mesh modeling is a powerful way to design, but higher levels of smoothness increase complexity and can affect performance. You can work more efficiently if you complete editing operations such as gizmo editing, extrusion, and face splitting, on mesh objects that have not been smoothed. (That is, their level of smoothness is 0.)

You can quickly switch between the levels of smoothness in the Properties palette to get a preview of how your activities affect the smoothed object.

Refinement is a powerful way to subdivide faces. However, by increasing the number of faces, you add to the overall complexity of the model. In addition, refining an entire mesh object resets the base level of smoothness to 0. This change can result in a dense grid that can no longer be simplified. For best results, avoid refining the object, and refine or split only the individual faces that require more detailed modeling.

Refining individual faces does not reset the level of smoothness for the object.

Creased edges can be set to maintain their sharpness, no matter how much the object is smoothed. You may also need to crease the edges in surrounding faces to obtain the result you want.

Creasing set to Always retains its sharpness after smoothing. If you set a crease value, the creased edge becomes smoother at the equivalent level of smoothness.

3D Move, 3D Rotate, and 3D Scale gizmos can be used to modify entire mesh objects, or specific subobjects.

For example, you can rotate and scale an individual face using the 3D Move, Rotate, and Scale gizmos.

By constraining the modifications to a specified axis or plane, gizmos help you avoid unexpected results. The default gizmo is displayed whenever you select an object in a view that uses a 3D visual style. (You can also suppress this display.) Therefore, you do not have to explicitly start the 3D Move, 3D Rotate, or 3D Scale command to initiate these activities. You just need to select an object.

When a gizmo is selected, you can use the shortcut menu to switch to a different type of gizmo.

In a smoothed mesh, trying to select a specific subject can be difficult unless you turn on subobject selection (shortcut menu). By specifying that the selection set is limited to faces, edges, vertices, or even solid history subobjects, you can restrict which subobject type is available when you press Ctrl and move the mouse over the object.

A filter is especially valuable for selecting mesh vertices, which are not highlighted as you move the mouse over them.

A key difference between gizmo editing and extrusion occurs in the way each face is modified. With gizmo editing, if you select and drag a set of faces, adjacent faces are stretched to accommodate the modification. When the object is smoothed, the adjacent faces adapt to the new location of the face.

Mesh extrusion, however, inserts additional faces to close the gap between the extruded face and its original surface.

If you are working on an object that has not been smoothed, try smoothing it periodically to see how it is affected by smoothing.

Mesh modeling is powerful, but it cannot do everything that solid modeling can do. If you need to edit mesh objects through intersection, subtraction, or union, you can convert mesh to 3D solid or surface objects. Similarly, if you need to apply creasing or smoothing to 3D solid or surface objects, you can convert those objects to mesh.

Keep in mind that not all conversions retain complete fidelity to the shape of the original object. Avoid switching between object types more than once, if possible. If you notice that the conversion modifies the shape of the object in an unacceptable way, undo the conversion and try again with different settings.

• The Mesh Tessellation Options Dialog Box (MESHOPTIONS) controls the smoothness and shape of the faces for 3D solids or surfaces that are converted to mesh. Although you can convert an object to mesh without opening this dialog box (MESHSMOOTH), you can more easily experiment with different conversion settings by launching the conversion operation from within the dialog box.
• The SMOOTHMESHCONVERT system variable (also available on the ribbon) sets whether the mesh objects that you convert to 3D solids or surfaces are smoothed or faceted, and whether their co-planar faces are optimized (merged).

You might have trouble converting some non-primitive mesh to solid objects due to the following problems:

• Gaps in the mesh. If you notice gaps, you can sometimes close them by smoothing the object or by refining the faces that are adjacent to the gap.

  

  mesh torus that has been twisted using 3D Rotate at various smoothing levels

  In some cases, you can also obtain better results by using hardware acceleration to improve your graphics system.

• Intersecting mesh faces. Be especially careful not to create self-intersections as you move, rotate, or scale subobjects. (You create self-intersections when you cause one or more faces to cross, or intersect other faces in the same mesh model.) View the object from all viewpoints to ensure you create a viable model.

  

  mesh wedge with front faces dragged past the back faces

Mesh objects that cannot be converted to solids can often be converted to surfaces instead.